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She decided to focus all her energy on her own band, Siouxsie and the Banshees. This article is about the English rock singer and lead vocalist for the Banshees. History Suzie Su was a member of a small criminal family in , her father ran the gang's operations.

There is nothing more that she enjoyed than the company of others and entertaining her friends and family in the backyard, or around the swimming pool. Retrieved 28 September 2014.

Karon Sue “Suzie” (Huff) Gibson

This article is about the English rock singer and lead vocalist for the Banshees. For the American singer, see. Susan Janet Ballion, known professionally as Siouxsie Sioux , born 27 May 1957 , is an English singer, songwriter, musician and producer. She is best known as the lead singer of the alternative rock band 1976—1996 and the drums-and-voice duo 1981—2005. She has also sung with artists such as and. After disbanding the Creatures in the mid-2000s, she has continued as a solo artist, using the name Siouxsie, and released in 2007. Her songs have been covered by , and. Her records have also been praised by artists such as and. In 2011, she was awarded for Outstanding Contribution to Music at the and in 2012, at the , she received the Inspiration Award. Early life 1957—76 Siouxsie was born Susan Janet Ballion on 27 May 1957 at in , England. She is 10 years younger than her two siblings. Her brother and sister were born while the family was based in the. Her parents met in that colony and stayed working there for a few years. Her mother, Betty, was of half Scottish and half English descent, and was a bilingual secretary who spoke French. Her father was a bacteriologist who milked venom from snakes, and was a from the French-speaking part of Belgium. In the mid-1950s, before Siouxsie's birth, the family moved to England. The Ballions lived in a suburban district in. Siouxsie had an isolated youth. Her friends invited her home, but she could not reciprocate as her father, an alcoholic, drank at home and did not work. She was aware that her family was different. The Ballions were not involved in the community and lived in a house that was different from the neighbours'. At the age of 9, she and a friend were sexually assaulted by a stranger. The most damaging aspect was that the assault was ignored by her parents. The episode became an unspoken item. From that moment, she started to acquire disrespect for adulthood. And being the youngest in the family I was isolated — I had no-one to confide in. So I invented my own world, my own reality. It was my own way of defending myself — protecting myself from the outside world. Her father died of alcoholism-related illness when Siouxsie was 14 years old, resulting in an immediate adverse effect on her health. She lost a lot of weight and missed school. After several misdiagnoses, she was operated on and survived a bout of. During the weeks of recovery in mid-1972, she watched television in the hospital and saw on. At 17, she left school. It was during this period that she began frequenting the local discos where most of her sister's friends used to go. She introduced her own friends to that scene. In November 1975, a new young group called performed at the local art college in Chislehurst. Siouxsie did not attend, but one of her friends told her how their singer, , threatened the string of students present at that gig. He added that they sounded like. In February 1976, Siouxsie and her friend then still called Steven Bailey went to see Sex Pistols play in the capital. After chatting with members of the band, Siouxsie and Severin decided to follow them regularly. Siouxsie became well known in the London club scene for her glam, and attire, which later became part of. She would also later epitomise style with her signature cat-eye makeup, deep red lipstick, spiky dyed-black hair and black clothing. In early September 1976, the Bromley Contingent followed Sex Pistols to France, where Siouxsie was beaten up for wearing a cupless bra and a black armband with a on it. She claimed her intent was to shock the , not to make a political statement. Following the adage of and the idea that the people in the audience could be the people on stage, Siouxsie and Severin decided to form a band. When a support slot at the organised by opened up, they decided to make an attempt at performing, although at that time they did not know how to play any songs. The performance lasted 20 minutes. It totally blew me away. There she was doing something that I dared to dream but she took it and did it and it wiped the rest of the festival for me, that was it. One of Siouxsie's first public appearances was with the Sex Pistols on 's television show, on in December 1976. Standing next to the band, Siouxsie made fun of the presenter when he asked her how she was doing. Grundy, who was drunk, suggested a meeting after the show. That directly provoked a reaction from guitarist , who responded with a series of expletive words never heard before on early-evening television. This event had a major impact on Sex Pistols' subsequent career, and overnight, they became a household name. Not liking the cliches put forward by the press, Siouxsie distanced herself from that scene and stopped seeing Sex Pistols shows. She decided to focus all her energy on her own band, Siouxsie and the Banshees. Siouxsie and the Banshees, and the Creatures 1977—2003 Main article: In 1977, Siouxsie began touring in England as Siouxsie and the Banshees. The song is strident and powerful with tantalising oriental guitar riffs plus words and vocals that are the result of anger, disdain and isolation. No-one will be singled out because everyone is part and parcel of the whole. Their first album, , was one of the first post-punk records released. It received 5-star reviews in and. The music was different than the single; it was angular, dark and jagged. The Scream was later hailed by as one of the best debut albums of all time along with 's. Kaleidoscope widened Siouxsie's audience, reaching the top 5 in the UK charts. During recording sessions for Juju, Siouxsie and drummer formed a percussion-oriented duo called the Creatures, characterized by a stripped-down sound focused on vocals and drums; their first record, the , was a commercial success. Main article: In 1982, the Siouxsie and the Banshees' album was widely acclaimed by critics. They included strings for the first time on several songs. However, the recording sessions took its toll, and McGeoch was forced to quit the band. It was her first incursion into , incorporating sounds of waves, local Hawaiian choirs and local percussion. Two albums followed with Smith: , recorded live in London in 1983, and 1984's. The album received a five star review in. Siouxsie with , Spain 1989 Siouxsie and Budgie then went to in Spain to record the second Creatures album,. The songs took a different direction from previous Creatures works, with backing music ranging from to and styles. It featured brass on most of the songs. In 1990, she toured for the first time with the Creatures, in Europe and North America. Indian player who was later 's percussionist on her 1993 album took part in the session and provided vocals for the bridge. With Kiss Them for Me, the Banshees scored a hit on the US peaking at number 23. After the release of which received enthusiastic reviews, the group co-headlined the first tour, further increasing their American following. In the mid-1990s, Siouxsie started to do one-off collaborations with other artists. The last Banshees studio album, , was released in 1995; it was written partly in the , France area, where she had recently moved. The Creatures de facto became her only band. The following year, Siouxsie and Budgie released , the first Creatures album since the split of the Banshees. The material diverged from their former work, with a more urban sound from to. In 2002, she was rated as one of the 10 best female rock artists by. That same year, Universal released as the first reissue of her back catalogue. In 2003, Siouxsie and Budgie released the last Creatures album, , which was in part recorded in Japan, collaborating with taiko player Leonard Eto previously of the. Solo 2004—present Siouxsie at the , Madrid 2008 2004 was a pivotal year for the singer. She toured for the first time as a solo act combining Banshees and Creatures songs. A live DVD called was recorded at the last London concert, in which she and her musicians were accompanied by a 16-piece orchestra, the Millennia Ensemble. Released in August 2005, this DVD reached the number 1 position in the UK music DVD charts. Her first solo album, , was released in September 2007. After a year of touring, the singer played the last show of her tour in London in September 2008. A live DVD of this performance, , was released in 2009. In June 2013, after a hiatus of five years, Siouxsie played two nights at the Royal Festival Hall in London during 's festival. She performed 1980's Kaleidoscope album live in its entirety, along with other works from her back catalogue, and her performance was hailed by the press. In October 2014, she and fellow Banshee Steven Severin compiled a CD titled It's a Wonderfull Life for the November 2014 issue of magazine, in which she appeared on the cover. The disc included 15 tracks that inspired the Banshees. Many of her songs are about damage; her childhood marked her profoundly. Most of the damage I sing about first happened when I was younger and I am still feeding off it and working it out. Early experiences are what create a lifetime of damage. The songs you write can help you fix the damage. And just the environment you are in is so important and can waste potential and corrupt something. For me, there was neglect. An alcoholic father who is not there because the most important thing for him is just to get alcohol and your mother is trying to compensate for the non-existent second parent so she's never there because she's working all the time and when she is around she's stressed out. Her voice is, in its own right, the common thread through all of it. There is no one who sings like that. And I think there are a lot of people who were influenced by it, but even if you try and sing like her, you can't do that. You can't throw your voice like that. You can't throw harmony like that. That is a very distinct voice. Her technique is a thread between the really far-out stuff and opera and pop music. It's all her own. She had a strong impact on two trip-hop acts. Other acts have also covered Siouxsie's songs. Buckley first sang it in 1992 on. Their version was also released on. Siouxsie has influenced other bands ranging from contemporaries , , and the Cure to later acts like , and TV on the Radio. U2 frontman named her as an influence in the band's 2006 autobiography U2 by U2. He was inspired by her way of singing. U2 guitarist also was the presenter of an award given to Siouxsie at a Mojo ceremony in 2005. It was so different to what we were doing with the Cure. Before that, I'd wanted us to be like the or , the punk Beatles. That record was the first one where I was like, okay, even my friends're going to fall for this. I feel like that transition into that record was a relief for me. Really beautiful music was always considered too weird by the normal kids and that was the first example where I thought, we've got them, they're hooked! Siouxsie has been hailed by many female singers. Harvey also selected in her top 10 favourite albums of 1999, the Anima Animus album by Siouxsie's second band the Creatures. Manson also declared that Siouxsie embodied everything she wanted to be as a young woman. Siouxsie was also hailed by Romy Madley Croft of , of and , and also by of the Breeders, and namechecked by of. Her band was named on a suggestion of Goswell, inspired by the Banshees' single of the same name. Other female artists have been quoted expressing admiration for her work, including Dee Dee of and of. There aren't that many, but she's definitely one of them. It was that good. I kind of stopped and was like... There's not a tremendous amount of women who are bold and forward thinking as artists. I feel like her music, at the time especially, was pretty unique in the way that it sort of matched her style. The freedom of experimenting with this dark place that doesn't have a place often in modern music. Siouxsie married drummer Budgie real name: Peter Edward Clarke in May 1991. The following year, they moved to the southwest of France. In an interview with in August 2007, she announced that she and Budgie had divorced. I know there are people who are definitely one way, but not really me. For her works with Siouxsie and the Banshees, see. For her works with the Creatures, see. Amsterdam, Paradiso With the Metropole Orchestra. Archived from the original on 18 October 2012. Retrieved 21 January 2012. Retrieved 20 January 2014. Retrieved 28 September 2014. Archived from the original on 30 June 2001. Retrieved 28 September 2009. Page 71: Dave Sitek David Andrew Sitek TV on the Radio. That record was the first one where I was like, okay, even my friends who don't know who the Cure or Sonic Youth are, they're going to fall for this. I feel like that transition into that record was a relief for me. Really beautiful music was always considered too weird by the normal kids and that was the first example where I thought, we've got them, they're hooked! I watched people dance to that song, people who had never heard of any of the music that I listened to, they heard that music in a club and went crazy. Archived from the original on 3 February 2014. Retrieved 2 November 2011. Retrieved 18 May 2012. The Guardian Weekend Magazine. London, England: Guardian Media Group. Retrieved 5 August 2018. Retrieved August 5, 2018. Air Date : 1 April 2009. Was it 1978 or ten years on? From the underwater claustrophobia of its cover, through the fractured monochrome scenarios to the morbid fascination of 'Switch's' final flickers, its poetry in sound and splinters. Archived from on 27 June 2012. Retrieved 2 January 2012. With their musical alchemy at its peak and Siouxsie at her most imperious, pop marvels such as Spellbound and Arabian Knights were poised, peerless exercises in magic realism that you could dance to. Archived from the original on 13 November 2012. Retrieved 4 July 2016. Retrieved 1 October 2012. Retrieved 1 September 2012. NME 11 November 1989. He came out and he's always worked in black and white, he's never liked colour. And we had such a shock cause he's going on 'oh yes, I want to work in colour, I've discovered colour'. And it was great, as he had started painting and had a good eye which was a surprise. Archived from on 25 October 2010. Retrieved 2 December 2011. Retrieved 2 December 2011. Retrieved 3 March 2014. NME, 15 June 1991. Mozipedia: The Encyclopaedia of Morrissey and the Smiths. Retrieved 2 June 2015. January 2002 17 October 2013 at the. The centrepiece is the tense, sensual, whirl of 'Tourniquet', a spellbinding nine minutes around which the rest of the album hangs, awed but not unbowed but it is presence. It's a virile, sultry salute to lust and bondage, and will cure anybody of their hangover. Retrieved 28 September 2014. Archived from the original on 8 May 2006. Retrieved 28 September 2014. Archived from on 13 February 2009. Retrieved 3 December 2015. Archived from the original on 30 December 2013. Retrieved 29 June 2013. Retrieved 29 June 2013. Retrieved 1 October 2014. Retrieved 4 December 2015. Retrieved 28 September 2014. Archived from on 13 July 2011. Retrieved 28 September 2014. Archived from the original on 28 September 2007. Retrieved 4 June 2012. Retrieved 1 October 2012. JM: Yeah, we've got Siouxsie and the Banshees on this record. It was Robin's idea. Archived from on 20 July 2011. Retrieved 28 September 2014. Retrieved 20 January 2014. It wasn't like that. The appearances were extremely, expressively violent. And I wouldn't have had it any other way. But if you study modern groups, those who gain press coverage and chart action, most of them aren't actually as good as the Angelic Upstarts, aren't as exciting as Sham 69. None of them are as good as Siouxsie and the Banshees at full pelt. That's not dusty nostalgia, that's fact. Most modern groups as far as I can see are Creedence Clearwater Revival. He's got this really good picky thing going on which is very un-rock'n'roll and this actual tune he's playing is really quite mysterious. Archived from the original on 29 June 2006. Retrieved 10 February 2012. It was all recorded live in Oxford. We all got excited at the end because Nigel was trying to get Jonny to play like John McGeoch in Siouxsie and the Banshees. All the old farts in the band were in seventh heaven. Retrieved 7 March 2014. Retrieved 2 September 2013. Retrieved 21 January 2014. Archived from the original on 7 November 2017. Retrieved 10 January 2017. Retrieved 28 May 2012. Retrieved 28 September 2014. Archived from the original on 28 May 2007. Retrieved 28 September 2014. Archived from on 29 October 2013. Retrieved 11 July 2013. Retrieved 27 October 2017. Retrieved 10 May 2016. Q: Was there any figure who connected with you when you were just a listener? A: It's hard to beat Siouxsie Sioux, in terms of live performance. She is so exciting to watch, so full of energy and human raw quality. Rolling Stone french version n°42, April 2012. Q: Qui étaient tes artistes préférés quand tu as commencé? A:Bob Dylan, il l'est probablement toujours. Il y avait aussi David Bowie, Bob Marley, Siouxsie and the Banshees, the Pretenders. Translation Q:Who were your favourite singers when you started? A:Bob Dylan, he probably still is. There were also David Bowie, Bob Marley, Siouxsie and the Banshees, the Pretenders. Bedsit Disco Queen: How I grew up and tried to be a pop star. My Heroines were Billie Holliday, Lesley Woods, Siouxsie, Nico and Astrud Gilberto. Bedsit Disco Queen: How I grew up and tried to be a pop star. Here is the street and here is the door, same as it was before, and up the stairs and on the wall was Doisneau's kiss and Terry Hall and Siouxsie Sioux. Massive Attack have always looked outside the core trio for musical collaborations with kindred spirits, not just in old grooves but also in the flesh. Did she say why? She threw a million words into the air and we tried to grab a few and work out what she meant. Me and Mush met her in Sainsbury's and invited her up to the studio. There was this nerve-wracking moment before she arrived and I said, It's really sterile in here, let's light some candles in here and make it funky for her. Retrieved 13 December 2016. Retrieved 3 December 2016. Primal Howl from the psychotic darklands of seventies punk. She was really articulate and string; there's so much power in songs like 'Jigsaw Feeling'. Siouxsie was my first schoolgirl crush. I always wanted black hair and black eyebrows but I couldn't have been further from that whole look because I was ginger! I still listen to 'The Scream' to this day and it's amazing. Foreword by Shirley Manson, Sanctuary, 2003. Everything from the Birthday Party to house music and Siouxsie and the Banshees. Monday, 2 February 2004. I dig the women who scare people. Archived from the original on 4 June 2012. Retrieved 2 February 2010. Retrieved 21 August 2013. Des sixties, je retiens Jimi Hendrix que me faisait écouter mon père. Off the 60s, I select Jimi Hendrix that my father made me discover. Then in the 1970s, the Slits that I loved, Siouxsie and the Banshees whom she wore a T-shirt, note of the author , Joy Division. The 80s with Yazoo and Eurythmics, also New Order. Retrieved 6 March 2014. Kelley had a girlfriend in California who sent us tapes of James Blood Ulmer, Undertones, Costello, Sex Pistols, Siouxsie... A Dayton, it was like to live in Russia, these cassettes were our most precious, the only link with civilization. Archived from the original on 13 March 2018. Retrieved 28 February 2018. Archived from the original on 3 March 2016. Retrieved 2 July 2016. Retrieved 28 July 2016. Retrieved 20 January 2016. When the sun hits. Retrieved 20 January 2016. Retrieved 20 January 2016. Retrieved 20 January 2016. Retrieved 20 January 2016. Courtney Love: The Real Story. Archived from on 3 October 2013. Retrieved 2 September 2013. 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Other acts have also covered Siouxsie's songs. Retrieved 2 July 2016. Retrieved 4 July 2016. At the age of 9, she and a friend were sexually assaulted by a stranger. A one-minute crop of it was met with mobile phones. Retrieved 28 September 2014. Early experiences are what create a lifetime of damage. Retrieved 3 December 2016. In an interview with in August 2007, she announced that she and Budgie had divorced. Retrieved suzie sue August 2018. Courtney Love: The Zip Story. The Guardian Weekend Magazine.